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1750–1820 · 52 presets

Classical

Sonatinas, sonatas and the forms they're made of. Learn each piece slowly first, then step up to the working tempo.

Download all 52 for the app Play here, or open one in Haptempo Metronome on iPhone.

Movements of a sonata

The usual tempo of each kind of movement.

Download set · 6
  1. Allegro (first movement) 4/4 · = 132 Allegro
    Open
  2. Andante (slow movement) 2/4 · = 72 Adagio
    Open
  3. Adagio 4/4 · = 66 Adagio
    Open
  4. Minuet and trio 3/4 · = 132 Allegro
    Open
  5. Rondo 2/4 · = 120 Allegro
    Open
  6. Presto finale 2/2 · = 100 Prestissimo
    Open

Pieces

Typical tempos from well-known recordings and teaching editions.

Download set · 7
  1. Sonatina Op. 36 No. 1, I. AllegroClementi 4/4 · = 120 Allegro
    Open
  2. Sonata K. 545, I. AllegroMozart 4/4 · = 126 Allegro
    Open
  3. Sonata K. 545, II. AndanteMozart 3/4 · = 80 Andante
    Open
  4. Rondo alla Turca, K. 331Mozart 2/4 · = 120 Allegro
    Open
  5. Sonatina in G, Anh. 5 No. 1attributed to Beethoven 4/4 · = 104 Andante
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  6. Für EliseBeethoven 3/8 · = 132 Adagio
    Open
  7. Sonata Op. 13, II. Adagio cantabileBeethoven 2/4 · = 52 Largo
    Open

Learning step by step: Mozart K. 545, I

Same piece, five tempos. Move on when the current one is even and relaxed.

Download set · 5
  1. K. 545 I — slow 4/4 · = 72 Adagio
    Open
  2. K. 545 I — 84 4/4 · = 84 Andante
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  3. K. 545 I — 96 4/4 · = 96 Andante
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  4. K. 545 I — 112 4/4 · = 112 Moderato
    Open
  5. K. 545 I — performance 4/4 · = 126 Allegro
    Open

More pieces

Symphonies, sonatas and concertos at typical tempos.

Download set · 23
  1. Eine kleine Nachtmusik, I. AllegroMozart 4/4 · = 132 Allegro
    Open
  2. Eine kleine Nachtmusik, II. RomanzeMozart 2/2 · = 52 Andante
    Open
  3. Symphony No. 40, I.Mozart 2/2 · = 112 Prestissimo
    Open
  4. Piano Concerto No. 21, II.Mozart 2/2 · = 52 Andante
    Open
  5. Turkish March theme, K. 331, I.Mozart 6/8 · = 46 Adagio
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  6. Fantasia in D minor, K. 397, AllegrettoMozart 2/4 · = 80 Andante
    Open
  7. Symphony No. 5, I.Beethoven 2/4 · = 108 ModeratoComposer's mark 𝅗𝅥 = 108
    Open
  8. Symphony No. 7, II.Beethoven 2/4 · = 76 Andante
    Open
  9. Symphony No. 9, Ode to JoyBeethoven 4/4 · = 80 Andante
    Open
  10. Moonlight Sonata, I.Beethoven 2/2 · = 54 Moderato
    Open
  11. Moonlight Sonata, III.Beethoven 4/4 · = 160 Vivace
    Open
  12. Pathétique, I. Allegro di moltoBeethoven 2/2 · = 138 Prestissimo
    Open
  13. Pathétique, III. RondoBeethoven 2/2 · = 92 Presto
    Open
  14. Sonata Op. 49 No. 2, I.Beethoven 2/2 · = 72 Allegro
    Open
  15. Sonata Op. 49 No. 2, II. Tempo di menuettoBeethoven 3/4 · = 120 Allegro
    Open
  16. Ecossaise in G, WoO 23Beethoven 2/4 · = 104 Andante
    Open
  17. Surprise Symphony, II.Haydn 2/4 · = 104 Andante
    Open
  18. Sonata Hob. XVI:35, I.Haydn 4/4 · = 144 Allegro
    Open
  19. Trumpet Concerto, III.Haydn 2/4 · = 112 Moderato
    Open
  20. Sonatina Op. 20 No. 1, I.Kuhlau 4/4 · = 120 Allegro
    Open
  21. Sonatina Op. 55 No. 1, I.Kuhlau 4/4 · = 112 Moderato
    Open
  22. Sonatina Op. 36 No. 3, I.Clementi 4/4 · = 144 Allegro
    Open
  23. Spiritoso, Op. 36 No. 3Clementi 4/4 · = 132 Allegro
    Open

Alberti bass ladder

Even sixteenths in the left hand: one step at a time.

Download set · 11
  1. Alberti bass 60 4/4 · = 60 Larghetto
    Open
  2. Alberti bass 68 4/4 · = 68 Adagio
    Open
  3. Alberti bass 76 4/4 · = 76 Andante
    Open
  4. Alberti bass 84 4/4 · = 84 Andante
    Open
  5. Alberti bass 92 4/4 · = 92 Andante
    Open
  6. Alberti bass 100 4/4 · = 100 Andante
    Open
  7. Alberti bass 108 4/4 · = 108 Moderato
    Open
  8. Alberti bass 116 4/4 · = 116 Moderato
    Open
  9. Alberti bass 124 4/4 · = 124 Allegro
    Open
  10. Alberti bass 132 4/4 · = 132 Allegro
    Open
  11. Alberti bass 140 4/4 · = 140 Allegro
    Open

Tempos are typical practice values from common recordings and teaching editions, unless a preset says “Composer's mark”. Song tempos are those of the studio recordings, rounded. Editions, performers and live versions differ — treat them as a starting point.